2018’s Hereditary exploded onto the horror scene with a bold, opaque, artistic trailer. We conversate about whether or not trailers are lies, family horror, and the frequency children are being killed in horror movies now. There’s also a little bit about free will and demonic gender theory, you know, for the kids.
Jim Jarmusch’s 2013 moody vampire romance Only Lovers Left Alive is all post-rock, ruin porn and untamed hair. Chad and Marc discuss Shakespeare conspiracy theories, urban renewal, how to best wield longevity and, as always, the end of history.
The self-published vampire novelette “Faking It, Phoebe” caught Chad’s eye on Amazon, so we invited our friend, author Meg Elison to join us in a conversation about genre fiction, the publishing world, girls in nerdom and vampires vs. goths.
This episode is about Werner Herzog’s 1979 undead flick, Nosferatu the Vampyre. It features special guest Alexa Fraser-Herron. She’s a San Francisco based independent filmmaker, who was introduced to Herzog’s films by her mother at an early age. It’s an unusual and interesting film, the conversation is much the same.
This episode, Chad & Marc venture outside the realms of film and fiction to grapple with the very real horrors of social media. Though Lovecraftian in scale and Orwellian in rancor, our hosts take very different positions on whether to slay Zuckerberg’s beast or harness its dark energy.
2016’s Ouija: Origin of Evil made a boatload of money, but it’s terrible. It deals in nostalgia, weak jump scares and has a muddled plot. Why do people keep watching movies like this? Why aren’t they better? Will anything change, or is horror continuing to split and become a genre that produces a few auteur gems and a ton franchise style crap? We attempt to answer these questions and more, all without the help of a Ouija board of our own.
Scooby Doo has been on the air since 1969. Those meddling kids have been in a shocking number of series and movies since then. Is this horror? Is it worth watching? We land on a solid ‘maybe’ for those questions and more. Join us as we explore everything from the laugh-tracked early episodes to the surprisingly smart, and conspiracy riddled, Mystery Incorporated.
Since Michael Dougherty’s Krampus came out in 2015, the pagan hipster Christmas demon has only grown in popularity. We explore the ancient roots of the anti-Santa, discuss Dougherty’s extended universe, and make an unavoidable turn down the road of capitalist critiques of holiday favorites.
This episode is about the most evil genre of music: Black Metal. We are joined by extreme music authority, Andee Connors. He co-owned the notorious Aquarius Records, curates Pandora’s unholy Black Metal station and creates infernal music as a member of A Minor Forest and Common Eider, King Eider. We invoke blasphemous critical theory, the abysmal history of youth movements and the odorous politics of several necrotic musical personalities.
Brett Easton Ellis’ American Psycho came out to a flurry of controversy in 1991. Director Mary Harron brought it to the screen in 2000. This episode focuses on the film, but the book is brought up quite a few times. It’s a killer conversation that covers Moby Dick, political correctness in the 90s, yuppie culture, Christian Bale’s hotness, A Clockwork Orange, and whether or not Gordon Gekko is more evil than Patrick Bateman.