Horror | Philosophy | Culture
Academy Award-winning director Kathryn Bigelow’s 1987 film Near Dark is a truly great vampire story. However, it had the misfortune of being released the same week as The Lost Boys. Though it was the superior film in every way that matters, it didn’t have the same tween star power or marketing budget, and was mostly forgotten except by hardcore genre fans. In this episode we discuss Westerns, method acting, The South, and once again, how we would live as the undead.
Jim Jarmusch’s 2013 moody vampire romance Only Lovers Left Alive is all post-rock, ruin porn and untamed hair. Chad and Marc discuss Shakespeare conspiracy theories, urban renewal, how to best wield longevity and, as always, the end of history.
This episode is about Werner Herzog’s 1979 undead flick, Nosferatu the Vampyre. It features special guest Alexa Fraser-Herron. She’s a San Francisco based independent filmmaker, who was introduced to Herzog’s films by her mother at an early age. It’s an unusual and interesting film, the conversation is much the same.
The 2015 New Zealand vampire mockumentary What We Do in the Shadows is all about fangs and foppery. In this episode we uncover rare undead lore, our favorite vampires, and explore the eternal question: what does it mean to become old and uncool?
Your eternally young and bloodthirsty hosts, Marc Kate and Chad Lott, take a look at an 80s classic, The Lost Boys. The discussion focuses on youth culture, tension between punks and hippies, and whether or not Twilight is a piece of crap or a gateway to darkness for a younger, softer generation.